All stories by DEEPA GAHLOT
10 Must Watch Mani Ratnam Movies On OTT
Rediff.com14 Jun 2023Deepa Gahlot lists 10 popular Mani Ratnam films that you can watch on streaming platforms.
Bloody Daddy Review: Big Fat Wedding Meets Gangster Gore
Rediff.com9 Jun 2023With its slick cinematography and breathless pace, Bloody Daddy is not really made for OTT, but that's where it ends up, notes Deepa Gahlot.
10 Political Dramas To Watch On OTT
Rediff.com5 Jun 2023There is nothing of the level of Yes Minister, House Of Cards, Madam Secretary or Veep but there are at least 10 Hindi series and an OTT-released film or two, to whet the viewer's appetite for power-mongering, corruption and intrigue.
Scoop Review: TERRIFIC Show!
Rediff.com2 Jun 2023Even those with no knowledge of the inner workings of the media and police, would find Scoop absorbing as a human drama and the story of the resilience of a woman, her family and true friends, applauds Deepa Gahlot.
Asur 2 Review: Thrilling!
Rediff.com1 Jun 2023What goes in favour of Asur 2 is its pace and novelty, even though the approach has all the hokiness of a comic book, observes Deepa Gahlot.
10 Must Watch Ram Gopal Varma Movies on OTT
Rediff.com31 May 2023Deepa Gahlot picks a list of 10 essential RGV movies though there are 84 to wade through.
Jogira Sara Ra Ra Review: UNFUNNY!
Rediff.com26 May 2023Nawazuddin Siddiqui is not romcom material, notes Deepa Gahlot.
Yeh Meri Family Review: Nostalgic
Rediff.com24 May 2023Yeh Meri Family is rescued by the actors. All of them have delivered on the warmth and crankiness of a close-knit family without putting on any hum saath saath hain fakery, observes Deepa Gahlot.
Sirf Ek Bandaa Kaafi Hai Review: Magnificent Manoj
Rediff.com23 May 2023Sirf Ek Bandaa Kaafi Hai makes the audience feel good that the battle for justice was not in vain, observes Deepa Gahlot.
Review: Kacchey Limbu Is Raw
Rediff.com19 May 2023From an observation of middle class insecurities and parents burdening their children with their dreams, the film becomes an underdog story, notes Deepa Gahlot.
Music School Review: Much-Needed Message But...
Rediff.com12 May 2023Music School tries hard to make a case -- like 3 Idiots and Taare Zameen Par before -- to let children follow their artistic passions and not try to fit them into pre-set moulds, to which people might nod their heads in agreement before packing their children off to coaching class, notes Deepa Gahlot.
The Best Of Yash Chopra On OTT
Rediff.com11 May 2023Deepa Gahlot lists the most popular Yash Chopra films -- the ones he directed, not produced (yes, so that means no DDLJ) -- that can be watched on OTT.
The Kerala Story Review: Distorted
Rediff.com5 May 2023Any aware viewer, who might wander into the film, will be repulsed by this unabashed spewing of communal hatred, feels Deepa Gahlot.
Review: The Song Of Scorpions: Masterly Irrfan
Rediff.com28 Apr 2023The Song Of Scorpions is a reminder, if one were needed, that Irrfan was not just a star actor but a true artiste, observes Deepa Gahlot.
Bad Boy Review: Outdated!
Rediff.com28 Apr 2023A movie like Bad Boy being made in 2023 would have been just as unwatchable no matter who made it. That Rajkumar Santoshi has, is almost heart-breaking, sighs Deepa Gahlot.
U Turn Review: Bizarre!
Rediff.com28 Apr 2023Alaya F actually holds the film together, pulling out the right emotions required, and not letting the slightest scepticism leak out of those large, expressive eyes, observes Deepa Gahlot.
Tooth Pari Review: No Twilight Tenderness Here
Rediff.com21 Apr 2023The series has many flashbacks, detailed and pointless backstories, too much information and needless characters so the unlikely romance is lost underneath the frenzy, observes Deepa Gahlot.
Garmi Review: Yet Another Violent Show Set In UP
Rediff.com21 Apr 2023Of late, crime, politics, corruption and hate have been leaking out of every streaming platform. By the time Garmi drops, fatigue has already set in, observes Deepa Gahlot.
Shaakuntalam Review: Too Much CGI
Rediff.com14 Apr 2023The love story of Shakuntala and Dushyant is so familiar, from textbooks, comics, stage and screen versions, that it has become part of our cultural DNA. If a film-maker thinks he can make it his own by producing a 3D version with excessive CGI, he achieves nothing but overkill, notes Deepa Gahlot.